When Phoenix was overwhelmed with the needs of asylum seekers, a Jesuit high school put its Ignatian principles into practice.
Elias Wondimu spent his first 20 years growing up in Ethiopia, a country riven by civil war. A casualty of that strife has been the nation’s history itself, which leaders often rewrote or erased. Wondimu, who is the publisher of LMU’s Marymount Institute Press, is determined to secure his nation’s history.
When senior Griffin Guez hears a chorus of singers, he sees a rainbow of colors. Guez has synesthesia, in which stimuli associated with one sense trigger a response in another: He sees sounds; music sparks visual images; numbers have colors. Once thought to be a disorder, synesthesia has been increasingly researched in the past two decades and is now considered a neurological characteristic. This is Griffin Guez’s story, as told to Editor Joseph Wakelee-Lynch.
In 1978, Oxford University published Albert Raboteau’s “Slave Religion: The ‘Invisible Institution’ in the Antebellum South.” It soon became a classic in the field of African American religious history. In 2002, Raboteau wrote “A Sorrowful Joy,” a brief but deeply moving account of his spiritual journey and life crises. We asked Raboteau to write about what led a young, fatherless African American boy to become one of the nation’s foremost scholars of African American religion.
Van Partible has a success story that’s almost too successful to be true: college student creates animation for senior thesis, graduates, takes a job to get by doing day care, then becomes golden when his professor shows the idea to a friend at Hanna-Barbera. Partible’s idea became the Cartoon Network’s hit “Johnny Bravo.” Imagine our surprise when, after we asked if he’d write about the experience, Partible said he wanted to write about failure.—The Editor.
Matthew Campanella ’13 is an investigative reporter on “The Real Death Valley,” an immigration documentary hosted by reporter John Carlos Frey for The Weather Channel. The film focuses on Central Americans who make their way on a dangerous path through Brooks County, Texas, a throughway to U.S. cities to the north. While filming, Campanella and Frey also attempted the 40-mile sojourn. We asked Campanella to describe what he experienced while walking through Texas’ death valley.